Tapping into history

imageHi there, thank you for stopping by.  The above image is the progress that I have made on my latest drawing.  What do you think about it so far?

This drawing will take at the very least another six weeks to complete and will no doubt take it fair share of my sanity along the way.  I am becoming more and more obsessive with each and every drawing that passes through me, the details, the colour, the composition, my practice…lets see how this one comes out!

Whilst ploughing headlong into this piece I began to think about drawing itself, the thoughts, feelings and experience of the act of drawing, of making marks, in my case on paper. An ancient craft.   Anyone drawing is sharing similar experiences as that of someone hundreds – if not thousands of years ago.  Sharing that magical act of creation, watching something develop, the stress, the concentration – the sheer joy of seeing something materialize from a vision buried deep inside.  Just think about that for a second.  What an incredible thought!  It is similar to standing, as I did when o was a child in front of a Paul Cézanne painting and thinking to myself – my goodness the great man himself would of been in the same position as I am now (in proximity to the painting).  You will come to learn that I can ramble sometimes but I just love to let the writing flow sometimes.

 

Thank you for reading

 

Stu

 

 

 

Poetic connections.

Poetic connections.

I’ve been giving my drawings a lot of thought recently, how to develop, the philosophy behind them and what they mean to me. To go hand in hand with I am also always looking at how I can progress on from a technical point of view, whether it is use of colour, the overall aesthetic or development of existing themes and elements.
So whilst reading I discovered an artist named Joseph Cornell, an American assemblage artist. He created incredibly subtle and finely balanced work, amazing skill was hidden beneath the usual exterior aesthetic. However more than the work itself he apparently once said that he explored “poetic connections” that run within the world and human life.

Love it!

This one phrase really sums up how I consider my work to operate, after all what is art without poetry?

My work couldn’t look more different than Cornell’s but I feel a genuine affinity with what he used to do. It just goes to show that ongoing learning about what has happened in the past can help to inform what happens in the future. Above is an image of my latest drawing that is only just out of its embryonic phases, what do you think?

You can see more of my work at:

Instagram: stu01621

Artfinder:  http://www.artfinder.com/stuart-belton

saatchiart:  http://www.saatchiart.com/blbwickaolcom

email: stu.belton@aol.co.uk

Procrastinations of a working man

Procrastinations of a working man

Hi, thank you for visiting my blog.

This is the first of many posts I will make within wordpress.  I have been writing a blog of the same name for the last couple of years or so, this can be found here:

https://www.a-n.co.uk/blogs/procrastinations-of-a-working-man

My blog centres around my life regarding my efforts in becoming an artist whilst working a full time job and the trails and tribulations that go with it.

So here is my latest entry:

Almost two weeks since my last update. In this time I have decided to make my drawings several sizes larger than they currently are (in average paper terms). This is partly due to the fact that I always envisioned them being a much larger scale and operating on the basis that the viewer would be drawn in and then begin to see some of the detail work that is only visible close up. I still hold this to be an attractive proposition and think it is a great way of enjoying a piece of artwork – the element of surprise – of sorts. So my work post degree shrunk to a manageable sketchbook size, I then became lazy – rather life got in the way – same shit, different person story of someone getting caught up in day to day life, and ended in treating drawing as an escape and not a serious artistic pursuit, cutting a long story short this has since changed in a pretty big way and I am now pushing myself further and further with each piece with a consistency I have not known since graduating and flying the institutional nest.

To quote the great Vincent Van Gogh:

“I long so much to make beautiful things. But beautiful things require effort—and disappointment and perseverance.”

So true on many, many levels, all of the above I have now accepted as part of even attempting to make something worthwhile, something of value – and I don’t mean financial, I mean personally, intellectually, visually. Always taking the next step and discovering where it leads me. I’ve always considered my work to be very slow in its evolution but in hindsight I’m not so sure that this still rings true. I have seen some seismic shifts in not only the aesthetic but the intent in what I do. Perhaps this thought has triggered the need to actually take an overview of the last few years and see what and how things have changed?

Moving to more philosophical issues. The act of drawing…mark making. In my world, my practice, this means placing marks onto a sheet of paper and constructing one whole. It means a sequence of marks that combine, integrate and inform one another to manifest as organic looking forms which work to present my “sensations” to the viewer (to paraphrase Paul Cézanne). I think drawing is really is a transformative process in a decorative sense at least in that via a simple sheet of paper and a pen or a pencil an artist begins to enhance, change and mould the appearance of the paper. Exerting his or her will, ideas, thoughts and feelings onto it. I like the thought that a drawing holds history, can be visually dissected with inspection and it is this that can transport the viewer into the drawing and their own cerebral realms.

All of this is speculation and opinion I suppose, one thing I do know though for sure is that there is real joy, real pain to be had in creation.

Thank you for reading. 

Stu

#art #drawing